nsc blog

Tuesday, July 31, 2007

It's really exciting to have all of these people coming back to New Stage, all here to work on the same beloved project. The Last Five Years has such wonderful music; it connects with both the performers and the audience in a way that I've seen few other shows do. We had so many people interested that we actually added more shows than we originally intended! Some I barely remember from when I was a lowly running crew member from our first season. Some are new to NSC just this year. Some are still students, and some are teaching others. But they all have a soft spot for NSC, and for this show.

More later- I have to go pick up a giant wedding cake. Come by the storefront next week and you'll see what I'm talking about.

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NSC presents The Last Five Years by Jason Robert Brown

Monday, July 23, 2007

Be sure to see NSC's website for an announcement about our August production.

Check back for more details later...

Graffiti in the news

Did anyone else see the front page article in USA Today last week about graffiti artist Alain Mariduena? Known as KET, Mariduena made a name for himself in the 1980s by spray painting subway trains, though he claimed to have stopped this practice once his first child was born. In October, police raided his home and seized, among other things, 3000 cans of spray paint, suggesting that Mariduena hadn't quite been able to shake the habit, so to speak.

USA Today uses this story to explore the increasingly heightened measures taken by major cities to stamp out the presence of graffiti. They include "An Official History of Graffiti" which mentions Keith Haring as a major player in the development of graffiti. Keith Haring was the subject of NSC's recent production of Radiant Baby, which both studied and celebrated his art.

USA Today muses, "One person's unsightly, spray-painted scrawl is another's social art."

Is graffiti a dying art, a subversive commentary, or an unattractive nuisance?

Check out the article here...

Thursday, July 12, 2007

NSC receives 9 CEA Nominations

CityBeat announced the nominees for the 2007 Cincinnati Entertainment Awards, granting New Stage Collective nine total nominations!

The Goat, or Who is Sylvia,
-Outstanding Play
-Local Premiere
-Ensemble Acting Performance
-Local Actor in a Leading Role- Play (Brian Isaac Philips)
-Local Actress in a Leading Role- Play (Amy Warner)

The Full Monty
-Local Actor in a Leading Role- Musical (Charlie Clark)
-Local Actor in a Supporting Role- Musical (Steven Milloy)

Songs From An Unmade Bed
-Alternative Show (Critical Acheivement)

iLove:
-Alternative Show (Critical Acheivement)

To vote for your favorite actors click here!

Tuesday, July 3, 2007

Stuart Ross flying in for Radiant Baby this Saturday!

Debra Barsha, composer and co-lyricist of Radiant Baby, has called in Stuart Ross, the show's bookwriter, to take a look at our production of Radiant Baby. He's flying in for this Saturday's performance. Come meet him at a reception after the show at Below Zero Lounge.

The buzz is hot for NSC's Radiant Baby to have a life after it closes on July 15, including a possible cast recording as well as remounting NSC's production in another major city! Stay tuned, and read about the buzz in The Enquirer.

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Another Radiant Baby blogger

Thanks, Google Alerts! :)
Looks like somebody enjoyed Mikhail's performance...

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Rick Baum liked the show so much he wrote about it in his blog!

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Monday, July 2, 2007

Debra Barsha was here! She is such a wonderful woman. Sunday's was one of the most emotional performances we've had, both for the cast and the audience, I think in part because of her presence. This show was her baby and it must have been difficult to release it into someone else's hands, but she had nothing but endlessly gushing things to say about our production. The new orchestrations, the set, the performances, the ensemble work of the cast- her genuine warmth and enthusiasm about almost every aspect of the show was so welcome. We've all been working so hard and becoming consumed with ticket sales and publicity and reviews and, not that all that's not important, but really, when it comes down to why we do shows like this and put so much of ourselves into them, it's about the connections that are made. Between the director and the work, the actors and the audience, the music and the audience- everything becomes intertwined and everyone in that room shares a unique, inspiring experience. I say 'we' though I'm not speaking for anyone but myself and in no official capacity. Everyone's response is different, but it is such a shared venture that, at least for me, the 'I' melts into the 'we'. No part of this show could happen without every other person.

I was particularly pleased that our production embraced change from the original show at the Public Theatre a couple years ago. Quite honestly, the original left some things to be desired, which is why it didn't have a very long run, though the potential was certainly there. While I love some of the old classic musicals, in production they also tend to bother me. By example, I adore Les Miserables; I have held many one-person concerts of the show in my car and my shower, and it is one of very few musicals that has actually gotten me sobbing in a public theater. But it's always the same. No one ever comes up with a revolutionary new take on a character, or a different way of staging. Les Mis has become a color-by-numbers musical. By contrast, Radiant Baby is constantly developing, with new artists adding their own contributions. It was so refreshing to see a composer who embraces this evolution. Far from a coloring book, Radiant Baby gives you a blank piece of paper, a box of crayons, and a burning inspiration.

Only two more weekends left- get your tickets now!

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